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| Wi-5 |
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UNIVERSAL WIRELESS MIC SYSTEM. True wireless acoustic microphone system that will work with 40 or more instruments. Mic is suspended in a 4 point isolation ring that clamps to the bell of the instrument, reducing valve, key and handling noise. |
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| Wi-5C |
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UNIVERSAL
WIRELESS KIT AMT Wi5C
is a removable 16 selectable channel wireless transmitter. that works with any AMT microphone that has a disconnect cable. (All models except the Z1 series) The Wi5C allows you to take an AMT mic and make it wireless.. The Wi5C comes with the transmitter ready to clip on the disonnector shaft, and a receiver with XLR and 1/4 outs. ***Microphone sold separately. |
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| LS |
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HARDWIRED
SYSTEM FOR SAXOPHONES & BRASS. This system is meant to clip onto a flanged bell'd instrument. (Sax and Brass) The LS is the perfect choice for the player that needs control of their volume in a belt pack style setup. |
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| LSW - SHURE |
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LS System for use with SHURE Wireless Systems. This is the same mic as the "LS" shown above, with no beltpack preamp, and the addition of an input cable for a SHURE wireless beltpack. |
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| LSW - Sennheiser |
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LS System for use with SENNHEISER Wireless Systems. This is the same mic as the "LS" shown above, with no beltpack preamp, and the addition of an input cable for a SENNHEISER wireless beltpack. |
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| LS - STUDIO |
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LS System for use in recording situations. This is the same mic as the "LS" shown above, but using an AP40 Studio Preamp. Great for isolating an instrument in the studio as it delivers great sound with even dynamics and no "off axis" problems. |
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| P800 |
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The P800 Mic System specifically designed for trumpet and flugelhorn. It attaches to the side of an instrument, 'off the bell', to allow the bell to naturally resonate. The mic is suspended in a 4-point isolation ring, reducing valve and handling noise. Comes complete with Pre-amp belt pack with volume control.. |
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| P800W - SHURE |
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P800 set up for Shure Wireless Systems. Same as the mic above, but with interface cable for Shure beltpacks and without the hardwire interface. |
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| P800W - Sennheiser |
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P800 set up for Sennheiser Wireless Systems. Same as the mic above, but interface cable for Senheiser beltpacks and without the hardwire interface. |
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| P800 - STUDIO |
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P800 set up for Studio Use. This is the same mic as the "P800" shown above, but using an AP40 Studio Preamp. Great for isolating a horn in the studio as it delivers great sound with even dynamics and no "off axis" problems. |
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| Z1 |
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HARDWIRED SINGLE FLUTE MICROPHONE. Excellent choice for soft to loud music. Principal artist or soloist mic setup. Mic is suspended in a 2 point isolation ring reducing key and handling noise. Phantom power or 9Volt battery required. |
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| Z1W - SHURE |
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Z1 set up for Shure Wireless Systems. Same as the Z1 mic above, but with interface cable for Shure beltpacks and without the hardwire interface. |
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| Z1W - Sennheiser |
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Z1 set up for Sennheiser Wireless Systems. Same as the Z1 mic above, but with interface cable for Sennheiser beltpacks and without the hardwire interface. |
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| Z1 - STUDIO |
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Z1 Studio
Version. The perfect choice for sound engineers
and studio use. Mic is suspended in a 2 point isolation ring reducing key and handling noise. Phantom power or 9Volt battery required. Comes with AP40 ‘floor” style preamp,case, and ¼ in – XLR cable. |
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| WS |
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CLARINET, OBOE, ALTO FLUTE & BASS FLUTE MICROPHONE SYSTEM. True acoustic microphone system specifically designed for above. Comes complete with true acoustic belt pack pre-amp, low impedance cable and custom case. Can be used either high or low impedance. |
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| WSW - SHURE |
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CLARRINET, OBOE, ALTO FLUTE & BASS FLUTE MICROPHONE SYSTEM. Same as the WS mics above, but with interface cable for Shure beltpacks and without the hardwire interface. |
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| WSW - Sennheiser |
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CLARRINET, OBOE, ALTO FLUTE & BASS FLUTE MICROPHONE SYSTEM. Same as the WS mics above, but with interface cable for Sennheiser beltpacks and without the hardwire interface. |
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| WS - STUDIO |
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CLARRINET,
OBOE, ALTO FLUTE & BASS FLUTE MICROPHONE SYSTEM. The perfect choice for sound engineers
and studio use. Comes with AP40 ‘floor” style preamp,case, and ¼ in – XLR cable. 9v Battery or Phantom Power required. |
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| TA2 |
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DOUBLE
MIC SYSTEM FOR SOPRANO AND BARITONE SAX AMT "BP" version allows the player control of their
volume in a belt pack style setup. Excellent choice for soft to moderate
music. Both mic's are suspended in a 4 point isolation ring reducing key
and handling noise. Phantom power or 9Volt battery needed.. Comes with
BP40 beltpack style preamp, |
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| TA2W - SHURE |
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DOUBLE MIC SYSTEM FOR SOPRANO AND BARITONE SAX This is the same system as above, but with an interface cable to the Shure wireless systems rather than a mic preamp. |
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| TA2W - Sennheiser |
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DOUBLE MIC SYSTEM FOR SOPRANO AND BARITONE SAX This is the same system as above, but with an interface cable to the Sennheiser wireless systems rather than a mic preamp. |
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| TA2 - STUDIO |
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DOUBLE
MIC SYSTEM FOR SOPRANO AND BARITONE SAX AMT
"Studio" version is a great choice for studio use. Excellent
for soft to moderate music. Both mic's are suspended in a 4 point isolation ring reducing key and handling noise. Phantom power or 9Volt battery required. Comes with AP40 ‘floor” (DI) style preamp, case, and AMT disconnecting cable technology to allow the mic to be used with other beltpacks, Other cables for a variety of setups sold separately. |
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| VS |
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HARDWIRED
VIOLIN, VIOLA AND MANDOLIN MICROPHONE SYSTEM. Microphone is suspended in a 2 point isolation ring reducing key and handling noise. The microphone clamps with adjustments for the side of a violin, viola, or mandolin. Phantom power or 9Volt battery required. Comes with BP40 Beltpack style preamp, case. AMT disconnecting cable technology to allow the mic to be used in other configurations if needed. *Additional cables for a variety of uses sold separately. |
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| VSW - SHURE |
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VIOLIN, VIOLA AND MANDOLIN MICROPHONE SYSTEM. True acoustic microphone system specifically designed for violin, viola, & mandolin. Comes with interface cable to Shure wireless systems. |
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| VSW - Sennheiser |
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VIOLIN, VIOLA AND MANDOLIN MICROPHONE SYSTEM. True acoustic microphone system specifically designed for violin, viola, & mandolin. Comes with interface cable to Sennheiser wireless systems. |
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| VS - STUDIO |
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STUDIO
VERSION VIOLIN, VIOLA AND MANDOLIN MICROPHONE SYSTEM.
The perfect choice for sound engineers and studio applications..
Microphone is suspended in a 2 point isolation ring reducing key and handling noise. The microphone clamps with adjustments for the side of a violin, viola, or mandolin. Phantom power or 9Volt battery required. Comes with AP40 ‘floor” (DI) style preamp, case, and AMT disconnecting cable technology to allow the mic to be used in other setups. |
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| S18C |
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CELLO MICROPHONE SYSTEM. True acoustic microphone system specifically designed for cello. Comes complete with true acoustic belt pack pre-amp and custom case. Can be used either high or low impedance. Now with ISO ring. |
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| S25B |
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STRING BASS MICROPHONE SYSTEM. True acoustic microphone system specifically designed for string bass. Comes complete with standard floor pre-amp with chip technology and custom case. Now with ISO-ring. |
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| SP25B |
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STRING
BASS MIC with SUPER MIC PREAMP. The AMT SP25B
is the same mic as the S25B but uses the “super pre-amp” which
has 2 XLR outputs, one of which has a ground lifted isolation transformer
split. A quarter inch line driver output with volume control is also included. The pre-amp runs off of battery, phantom power, or optional power supply. This pre-amp utilizes a complex circuit that is tailored for the needs of an acoustic bass player. The pre-amp runs off of battery, phantom power or optional power supply. The mic is connected to the pre-amp by a four pin locking connector. |
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| S25B-TB |
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STRING BASS MIC With Tail Piece Mount. The AMT S25B – TP (Tail Piece) is the same mic and system used in the S25B (above), but utilizes a tailpiece mounting system. |
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| SP25B-TB |
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STRING BASS MIC With Tail Piece Mount. The AMT S25B – TP (Tail Piece) is the same mic and system used in the SP25B (above), but utilizes a tailpiece mounting system. |
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| S3G - STUDIO |
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GUITAR MICROPHONE SYSTEM. Omni directional microphone system specifically designed for guitar. Clips into hole edge. Comes complete with AP40 Studio pre-amp. Low impedance cable and custom case. |
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| S15G |
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GUITAR MICROPHONE SYSTEM. Cardioid microphone system specifically designed for guitar. Clamps to side of instrument. Comes complete with true acoustic belt-pack pre-amp, low impedance cable, and custom case. Can be used either high or low impedance. |
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| S15G - STUDIO |
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GUITAR MICROPHONE SYSTEM. Cardioid microphone system specifically designed for guitar. Clamps to side of instrument. Comes complete with true acoustic STUDIO grade Mic Pre-amp with clip technology, low impedance cable, and custom case. Can be used either high or low impedance. |
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| M-40 |
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PIANO MICROPHONE SYSTEM. True acoustic microphone system designed to be used for piano. Comes complete with true acoustic pre-amp and chip technology. Can also be used for a boundary microphone. |
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| HR-2 |
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HARMONICA MICROPHONE SYSTEMS. "Hot Rod" is a miniature hand held microphone made from rugged aviation aluminum. Can withstand high SPL levels. Complete with a special dedicated BP-HZ belt pack pre-amp.Same as the HR-1 but with a clip to hold the harmonica. |
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| A-95 |
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MICROPHONE SYSTEM FOR PERCUSSION, TOMS, SNARE. Ultra miniature microphone. Rugged aluminum construction can take direct hits with stick. Shock mount clips on rim. LED to show its working. Frequency range: 30-20kHz. |
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| A95-4C |
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SET OF FOUR A95'S. A set of four A95 microphones in a high impact plastic case lined in foam. The case can hold up to 8 A95's and the M51 Bass Drum Microphone. |
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| M51 |
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MICROPHONE SYSTEM FOR BASS DRUM. Designed for bass drum. Comes complete with true acoustic pre-amp with chip technology. |
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| 97C |
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MICROPHONE SYSTEM DESIGNED FOR PERCUSSION. 7 inch gooseneck clamps to rim or tension rod of drum. Can also be used for Hi-Hat. The 97C is an all round percussion mic. Frequency range: 20-30kHz. |
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| B811 |
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OVERHEAD DRUM MICROPHONE SYSTEM. Overhead drum mic, polar pattern adjustable, comes with clip for stand. Terminated with XLR connector. Sold in matched pair. Frequency range: 20-20kHz. |
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| E.R.T. |
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HAND PERCUSSION INSTRUMENTS. Designed for hand percussion instruments. Cardioid mic that clamps to instruments. Also see system 1 for hand percussion possibilities. Now tih ISO ring. |
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| ACC3 |
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ACCORDION MICROPHONE SYSTEM. Condenser 3 microphone setup for full size accordion. Many different installation possibilities. Comes complete with nano-blend belt pack, and parts. Instillation necessary. Nano-blend belt pack allows for mixing of RH and LH on the belt pack. *Stereo or Y cable able belt pack also available. |
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| ACC1 |
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ACCORDION MICROPHONE SYSTEM. 1 microphone setup for smaller size accordion. Many different installation possibilities. Comes complete with belt pack setup for 1 mic, and parts. Installation necessary. |
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| HR-16 |
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CHROMATIC HARMONICA MICROPHONE SYSTEMS. Clip on chromatic 16 hole harmonica microphone. |
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| P43 | HARDWIRED HARP MICROPHONE SYSTEM. True Acoustic, low profile microphone system and clips to harp. |
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| VP3 |  |
VIBRAPHONE MICROPHONE SYSTEM. Three microphone setup which attaches to the frame of instrument. Mic's including isoring to reduc handling noise. |
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| System 1 |
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UNIVERSAL HARDWIRED MICROPHONE SYSTEM. True acoustic microphone system that will work with 40 or more instruments. Microphone is suspended in a 4 point isolation ring reducing vavle, key and handling noise. Comes complete with a belt pack pre-amp, vinyl storage pouch, and universal clamp. Interfaces with most wireless systems. |
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| Interfaces |
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Various interfaces are avalible for your insturment. Please call for pricing and avalibility. |
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ORDER
FORM 
